Site of Chelsea Luellon Bolton: Author, Scholar and Poet
This is a review of Auset Egyptian Oracle Cards by Elisabeth Jensen and Illustrated by Marie Klement. First off I have to say I love the art. The cards are gorgeous. The gods and goddesses are depicted in very traditional, ancient Egyptian styles and motifs. They are absolutely stunning! (I do prefer this art style, so I am completely biased here). The only card I did not like the image of was the Sirius card.
Continue reading “Review: Auset Egyptian Oracle”
Festival Names: Procession of Aset, the Bright One, Mother of God a.k.a. Aset Luminous
Day: 4th Shomu, Day 2
This festival commemorates Aset’s nightly search by torchlight for Her husband Wesir. In modern times, paper boats are made (with written petitions on them) and they are placed in water with a tealight on top.
Aset is a goddess of sovereignty, kingship, magic of all kinds, life-power, personal power and authority, writing, words, gaining knowledge, honoring one’s ancestors, ancestral lineage and traditions, dreams, family relationships, self-love, alignment of the souls and healing. She is also a goddess of Heaven, starlight, the night sky and the star Sopdet (Sirius).
For offering ideas, go here: Offerings of Aset.
I channeled this message from Aset about this festival.
(This is included in my book, Queen of the Road)
by Chelsea Bolton
What are you doing for Her festival?
What will you do today for the Fiercely Bright One?
Light candles or lamps? Sing a hymn? Perform ritual before Her shrine? What will you offer to the Lady?
What will you do today for the Mother of God? The one who gave birth to Heru in the Marshes? The sole Mother who took care of Her son?
What will you do for Aset, the Fiercely Bright One? The One who leads the way in the darkness, dispelling shadows with Her light? The stellar and solar goddess of the dawn.
What will you do today? What will you accomplish? What will you profess?
What will you ask Me in your letter? What prayers and hopes will the boats carry on the water, with My light guiding the way?
What will you ask Me to dispel in your lives? What will you ask Me to cultivate?
What will you do for the Fiercely Bright One? What will you ask of the Brightest of Stars? What will you ask of the Solar Goddess?
I am the Mistress of Magic. I am the Goddess Who Knows Her Spells. What I speak comes to pass.
Do not worry, child. I will take care of you.
Who am I? Am I not the Goddess who knows Ra’s Name? Am I not the wisest and cleverest of Gods? Am I not the Goddess of all magic, all heka, all life-power, all kau?
So what will you ask Me on My festival day?
The words you speak and write have power. What I speak comes to pass. What you write is your heart’s desire.
For what you do, what you say and what you write will become.
Here are the updates on my various books.
Forthcoming Books:
The next book I’ll hopefully finish is either:
I posted this on my Patreon and thought people here would find it useful.
So I have a book that just came out with ancient hymns in it (see here) and it occurred to me that many people may not know how this works.
Once I find a hymn or quote I want to use, I look up the publisher and email them with the information of what I want to include (the hymn, the full citation of the book or article, including page number) and information about my book (title, publisher, rights, distribution, approximate cost). Then starts the waiting game. Sometimes it takes a few days, a month and some take years to get back to me. Yes, years. (I’m still waiting on some in fact).
Now, once I hear back, I can get different kinds of responses:
And I must include the books in the bibliography as well.
So if the hymn is in German or French, I have to ask permission from either the author or the publisher to translate it and include it in my book. If it is already translated into English, I ask permission from the author/translator or publisher to include it in my book. Sometimes, they will ask for a copy of the book in exchange which I am more than happy to provide.
If it is in hieroglyphs then I ask someone who knows hieroglyphs to translate it for me in exchange for a book copy or monetary compensation. If I knew hieroglyphs, then I could just translate it myself. (But I digress…)
So I hope this helped to clear up any issues about what I include in my books as far as content or footnotes.
Thank you to all the authors, translators and publishers who kindly gave me permission to include their works in my books.
The Eye of Ra is a title of many ancient Egyptian Goddesses. The Eye of Ra protects Ra and all of Egypt from enemies. The Eye of Ra is a solar goddess associated with the cycles of the sun, solar eclipses, the star Sirius, Venus, the Morning Star, and the full moon. All the Eye goddesses are associated with solar rays, flame and starlight—in both restorative and destructive capacities. The Eye Goddesses are associated with snakes, cobras, lionesses, leopards and cats.
Within Flaming Lioness, there are ancient hymns to:
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3 Peret/Pamenot/February
16 to 28-Rhodophoria
Roses themselves were introduced to Egypt via the Greeks and Romans. The Goddess Aphrodite (or Venus) was born from the sea-foam and during her birth; a white rose was formed from the waves. This is why it is associated with Aphrodite. When Aphrodite’s lover Adonis died, she cried and the white rose became red with his blood. And this is why red roses are associated with the Goddess.[1]
Aset’s worship became greatly linked to Aphrodite so much so that there was a syncretic deity Isis-Aphrodite within the Ptolemaic period. Aset as a mourning Goddess would also be associated with the red rose.
Rhodophoria “Bearer of Roses” or Rosalia festivals were ancient Greek and Roman festivals to honor the dead, the military dead and various deities. It was also a spring festival about fertility and flowers, especially roses so many Goddesses were honored during this time such as Aphrodite, Venus, Hethert (Hathor), Aset, Isis and Isis-Aphrodite.
Some scholars think that a garland of roses may have been religiously associated with the Crown of Victory given to Wesir after his victory over death in the afterlife. Even though this was initially given to Heru, it was transferred to Wesir. Other gods associated with this festival are Heru and Ra. Other ways this occasion was celebrated was victory triumphing over enemies or protecting from harmful forces. During the Ptolemaic Period and later, the festival became more affiliated with Wesir’s mythos.[2]
A long Rhodophoria festival (lasting 13 days) is listed on the Temple Festival Calendar of Soknopaiou Nesos which was dedicated to the crocodile God Sobek and Aset as both Aset Neferset/Isis Nepherses (with the Beautiful Throne) and Nephremmis (of the Beautiful Arms).[3]
This festival for Aset comes from the Ptolemaic period. It is obviously Greek in origin, but was adapted to ancient Egyptian religion.
Roses were the flowers which were left on graves. Aset is honored here as the Lady of Beauty, Fertility of the Land and Abundance, Queen of the Land of the Dead (Amenti), Queen of the Ancestors and the Mourner of Wesir.
Possible Dates to Celebrate:
Activities for this Festival
[1] J. Gwyn Griffiths, Apuleius of Madaurus: The Isis-Book: (Metamorphoses, Book XI) (Brill, 1975), pp 39; 159–161.
Forrest, M. Isidora. Offering to Isis: Knowing the Goddess Through Her Sacred Symbols. St. Paul: Llewellyn Publications, 2005. (Rose entry: page 258-259)
[2] J. Gwyn Griffiths. Apuleius of Madaurus: The Isis-Book: (Metamorphoses, Book XI) (Brill, 1975), pp 159–161.
[3] Capron, Laurent. “Déclarations fiscales du Temple de Soknopaiou Nêsos: éléments nouveaux,” in Zeitschrift für Papyrologie und Epigraphik. Bd. 165, Dr. Rudolf Habelt GmbH, Bonn (Germany). (2008), pp. 142. 13 days.
Perpillou-Thomas, Francoise. Fêtes d’Egypte ptolémaïque et romaine, d’après la documentation papyrologique grecque. (Studia Hellenistica Series 31). (Peeters Publishers, 1993),127. From the Papyrus of Oxyrhynchos LII 3694. 12 day festival.
[4]Capron, Laurent. “Déclarations fiscales du Temple de Soknopaiou Nêsos: éléments nouveaux,” in Zeitschrift für Papyrologie und Epigraphik. Bd. 165, Dr. Rudolf Habelt GmbH, Bonn (Germany). (2008), pp. 142. 13 days.
Perpillou-Thomas, Francoise. Fêtes d’Egypte ptolémaïque et romaine, d’après la documentation papyrologique grecque. (Studia Hellenistica Series 31). (Peeters Publishers, 1993),127. From the Papyrus of Oxyrhynchos LII 3694. 12 day festival. Hekster, Olivier. Rome and its Empire, AD 193-284. (Edinburgh University Press, 2008), 128. From the Feridale Duranum Calendar from the reign of Severus Alexander.
